UnitedMasters: Release Music

I reinstalled the app at least four to five times to just get a sample size of what it looks like for me to be able to make something out of it, and everytime I put my security in, there’s always seems to be an issue with the installation process which is frustrating and weird to say the least. I’m probably the only person who has this issue but it’s based on my experience with it.

When I open the app and try to login it tells me to reinstall the app, I’ve done this 10 times now and it keeps saying the same thing, please someone help

Ima be honest I was gonna use until I read the reviews now I’m like forgeetttttaaa boutttt it

Positive outlet for releasing music. Love the prices which makes it an absolute necessity in investment to making better budgeting decisions.

This would get 5 stars if all my content would never delete after my subscription ends

Do not use unitedmaster They don’t pay royalties You can never receive your royalties from unitedmaster Please don’t use this app They are a SCAM 💔

Dumb app won’t even let me use it, keeps saying reinstall from the store…

I didnt get paid until few Months after releasing and when i want to release Music you guys always doing The most and lying about it first The Title then The picture How pathetic Are Yall going to keep doing The most just for attention Really immature im disappointed but im still gonna release music on here but dont expect me to be Nice about it anymore i gave Yall chances Yall kept playing around with my work i had enough of it.

I really enjoy the app it has released a lot of my most popular songs and got me far into my music journey but the only issue I have with this app is the error code that keeps coming up when I try and remove my earnings I’ve fixed my wallet and updated the app and I’m still having the same issue this has been happening for 2 weeks now

My name is Brenton J. Mosley, founder and lead artist of McNeill Ent, LLC, an independent record label based in Raleigh, NC, which I established in 2019. After a brief one-year hiatus from the music industry—during which I performed opening sets for several notable stand-up comedians—I returned to releasing music through UnitedMasters, a platform I’ve been using since 2020. Under their Select membership, my debut album Zookeeper achieved moderate success, surpassing 50,000 streams. Following that project, I focused primarily on collaborations and features rather than promoting my own catalog. Upon returning, I opted for the more limited Debut+ plan based on my prior experience. Unfortunately, this decision appears to have come with significant drawbacks. Since the switch, I’ve encountered ongoing discrepancies in my streaming metrics. For example, my YouTube analytics fluctuated inexplicably from nearly 2,000 views down to just 30. Additionally, after proper Spotify mapping, I saw an encouraging spike: 173 monthly listeners and six playlist placements totaling nearly 9,000 streams in one week. However, UnitedMasters abruptly removed the release, citing “suspected artificial plays”—a claim I strongly contest given the organic nature of my audience and marketing strategy. I currently have a growing and engaged fanbase, with over 800 active subscribers on YouTube, 1,000+ followers on Instagram, and over 500 followers on BandLab. My artistic background includes poetic openings for comedians such as Earthquake and Big Daddy Laugh A Lot, as well as features in publications like MTM Expo Magazine (2009), the Carowinds Catalog (2011), IMDb (as Director of the award-winning short film Spin Da Block), and multiple local news outlets. My extended network also includes professional athletes—Carlos Watkins, Brandon Spikes, Keyshawn Woods, Kerrion Moore, and Jalen Kennedy—who have supported my promotional efforts when possible. Despite this support and reach, the rollout of my most recent project has been disappointing and potentially damaging to my momentum due to UnitedMasters’ handling of my content. Based on this experience, it has become clear that the support and consistency offered by UnitedMasters appear to be tiered unfairly, with noticeable disparities in how artists are treated depending on their membership level. This experience has prompted my decision to transition to a different distributor who aligns more equitably with the needs of independent artists. I share this not to discourage others, but to provide transparency and advocate for fair treatment across the board—regardless of subscription status or commercial success level. Sincerely, Brenton J. Mosley Founder & Lead Artist McNeill Ent, LLC